McLaren, B. (2021). Modern Architecture, Empire, and Race in Fascist Italy. Brill Rodopi.
Person: Brian McLaren
Architecture During Wartime: The Mostra d’Oltremare and Esposizione Universale di Roma
McLaren, Brian L. (2014). Architecture During Wartime: The Mostra d’Oltremare and Esposizione Universale di Roma. Architectural Theory Review, 19(3), 299 – 318.
Abstract
This paper examines the architecture and planning of the Mostra d'Oltremare in Naplesa national display of colonial expansion that opened in May 1940and the Esposizione Universale di Romaan Olympics of Civilization that was proposed for 1942. These two major exhibitions will be studied in relation to Italy's violent and racially motivated Imperial politics. In the first case, it will closely examine the Villaggi indigeni (Indigenous village) of Italian East Africa, a scientific re-enactment of native constructions that became a space of violence and political confinement. In the second, it will study the Villaggio operaio (Workers' village), which, just like the larger exhibition grounds, was transformed into a site of military conflict during the war period.
Modern Architecture and Colonialism in the Islamic World
McLaren, Brian L. (2021). Modern Architecture and Colonialism in the Islamic World. International Journal Of Islamic Architecture, 10(1), 193 – 202.
Keywords
Modem Architecture; Colonialism; North Africa; Middle East; Historiography; Postcolonial Theory
Brian McLaren awarded Ailsa Mellon Bruce Visiting Senior Fellowship
Brian McLaren, Associate Professor in the Department of Architecture, has been awarded an Ailsa Mellon Bruce Visiting Senior Fellowship. The Visiting Senior Fellowship Program takes place during March and April of 2021 and is awarded through the Center for Advanced Study in the Visual Arts (CASVA), at the National Gallery of Art in Washington D.C. Intended to support research in the history, theory, and criticism of the visual arts, the Visiting Senior Fellowship is complemented with lectures, colloquia, and informal…
Publication of Modern Architecture, Empire, and Race in Fascist Italy
Brian McLaren, Associate Professor in the Department of Architecture, has just announced the publication of his book–Modern Architecture, Empire, and Race in Fascist Italy. His work relating to this publication has been presented at the Annual Conference of the College Art Association in New York, and the Society of Architectural Historians in Chicago, and has also been published in a themed issue of Architectural Theory Review. In Modern Architecture, Empire, and Race in Fascist Italy, McLaren explores the architecture of the…
PhD in the Built Environment
The College of Built Environments consists of five departments that together provide one of the country’s few comprehensive built environment programs within one academic unit: Architecture, Construction Management, Landscape Architecture, Real Estate, and Urban Design and Planning. Together, this combination of departments enable faculty and students to engage almost the entire development process, from economic and environmental planning, real estate, regulatory processes, siting and design, through actual financing and construction, to facility management and adaptive reuse in subsequent stages. Thus, the college is inherently multi-disciplinary, not only in terms of the dimensions of reality that it treats, but also in regard to the specialized disciplines, methods, and practices that it employs: history, theory, cultural criticism, engineering, design, planning, urban design, energy sciences, acoustics, lighting, environmental psychology, ecology, real estate analysis, statistics, management, horticulture, soil science, law, public policy, and ethics. In addition, because of the College’s focus on comprehensive analysis and practice concerning the built environment and its interrelation with society, it is substantially engaged in interdisciplinary work with other units on campus and outside of the campus, including mechanical, civil, and electrical engineering; with public policy and the health sciences; with art and art history; with textual interpretation in the humanities; with many of the computing and digitization activities that range from digital arts to the information school and technical communications; with education and social studies and services; with sustainability and ecological programs, including urban ecology, geography, the College of Forest Resources (especially urban horticulture and urban forestry), and Ocean Science and Fisheries; with environmental and land use law.
The College’s interdisciplinary character is a good fit with the emerging trends in today’s complex world, where only a pluralistic and collaborative approach will generate the necessary learning and teaching, research, and service. If we are to provide, in the end, both disciplinary and professional means to promote environmental well-being, the diverse environmental specializations must be fully integrated. Thus, working outside traditional disciplinary and departmental categories, the College’s faculty will advance solutions to problems that demand interdisciplinary perspectives and expertise. Other UW units bring much to bear on the built environment and students are wholeheartedly encouraged to explore possible cross-campus connections both in obvious and seemingly unlikely places. The Technology and Project Design/Delivery specialization especially connects with Psychology, the Information School, Technical Communication, Computer Science and Engineering, and Industrial Engineering; the Sustainable Systems and Prototypes field with Civil Engineering, Electrical Engineering, Industrial Engineering, Mechanical Engineering, the Information School, Technical Communication, the College of Forest Resources (especially Eco-System Science and Conservation, Urban Horticulture and Urban Forestry), the Evans School of Public Affairs, Geography, Public Health, Ocean Science and Fisheries, and Social Work, Urban Ecology, and perhaps Advanced Materials and Manufacturing Processes and Nanotechnology; the area of History, Theory, and Representation with Textual Studies, Art History, Interdisciplinary Arts & Sciences at Tacoma, and Comparative History of Ideas.
Brian McLaren
Brian McLaren’s teaching and scholarship are influenced by a background in cultural history and an ongoing interest in Marxist and contemporary critical theory, as well as postcolonial studies. The broad focus of his concerns have been on the relationship between architecture and politics during the Fascist period in Italy, with particular attention to the tensions that linked modernism and regional expression.
McLaren’s dissertation research and initial publications concentrated on the colonial context of Libya, in particular the relationship between modern architecture and local culture under the auspices of tourism. These publications include an edited collection with D. Medina Lasansky, Architecture and Tourism: Perception, Performance and Place, and a completed major book project, Architecture and Tourism in Italian Colonial Libya: An Ambivalent Modernism. More recently, this research has appeared in the Journal of Architecture and Giovanni Arena.
McLaren’s current research is related to a new book project, Modern Architecture, Colonialism and Race in Fascist Italy, 1935-1945, which was presented at the Annual Conference of the College Art Association in New York (February 2015) and Society of Architectural Historians in Chicago (April 2015). It is also published in abbreviated form in a themed issue of Architectural Theory Review (Fall 2015). McLaren is a member of the Race and Modern Architecture Project, a research collaborative co-directed by Professors Mabel Wilson (Columbia University), Charles Davis (University of North Carolina – Charlotte) and Irene Cheng (California College of the Arts).