Elizabeth Golden is an architect and an Associate Professor in the Department of Architecture at the University of Washington, where she teaches in the areas of design, materials, and building technology. Her teaching, academic research, and creative work are dedicated to revealing the systemic complexities that shape our physical and cultural realities. Golden investigates the relationship between people and their environments, both at the micro and macro scales, analyzing architecture as an index to its larger cultural context.
Golden is a licensed architect in Washington and New York state and has practiced nationally and internationally for over 25 years. She holds a Master of Science in Advanced Architectural Design from Columbia University GSAPP and a Bachelor of Architecture (professional degree) from the University of Arkansas. She currently serves on the editorial board of the Journal of Architectural Education. Underpinning her practice is an ongoing analysis of the complex relationship of architecture and the built environment to systemic issues such as social marginalization and economic globalization. Together, her built and speculative work, research, and community activism demonstrate architecture’s dynamic potential to drive social change.
Research + Practice
Golden cultivates a reciprocal relationship between her research and practice, treating them as integral parts of an interconnected feedback loop. She frequently collaborates on design initiatives that combine expertise from the University of Washington, local nonprofits, governmental agencies, and other educational institutions. A recent example is the Seattle Street Sink and Clean Hands Collective, a community effort to promote hand hygiene in the midst of COVID-19. Her collaborative projects have received numerous honors including a National Honor Award from the American Institute of Architects (AIA), an Award of Merit from AIA Seattle, and an R+D Award from Architect Magazine. They have been published internationally including features in Architectural Record, Architectural Review, and the BBC World Service.
Across her research and teaching, Golden is committed to transforming the discipline of architecture by building productive connections between academia and professional practice. Her recent book Building from Tradition: Local Materials and Methods in Contemporary Architecture (Routledge, 2018) offers a critical analysis of traditional building practices and their contemporary resurgence in the context of globalization. A belief in the power of collective intelligence drives the practice, with the expertise of local professionals, craftspeople, and user groups integral to each project. Ultimately, Golden is concerned with the mutual exchange between people and place, studying ways in which architecture can evoke our shared humanity.
Nicole Huber is a licensed architect in Germany where she graduated as Diplom-Ingenieur (M.Arch.) from the Technical University Darmstadt and held a Post-Graduate Research Position at the University of the Arts Berlin. She was a Visiting Scholar at the History, Theory and Criticism Section of the Department of Architecture at the Massachusetts Institute of Technology (2003) and holds a PhD from the Bauhaus University Weimar (Dr. des., summa cum laude, 2006). Before joining the faculty of the UW, she taught architectural and urban history, theory and design at the University of the Arts Berlin (1996-2001), where she also co-directed the Program for Urban Processes (2001-2004) focusing on the interrelationships between urbanization, globalization, and representation.
At the University of Washington’s Department of Architecture Professor Huber teaches in the areas of architectural and urban history, theory and design. Her studios and seminars use the Pacific Northwest and Northern Europe as laboratories examining the relations between processes of urbanization, strategies of sustainable development and emerging visual technologies in regionalizing and globalizing contexts.
Her research focuses on comparative urbanization processes and urban representation in Europe and the US. It has been presented at numerous international conferences; single and co-authored articles have appeared in publications such as the Journal of Urban History, aafiles, Informationen zur Modernen Stadtgeschichte, Topos, Bauwelt, DAMn, Places, and various anthologies. She has published Urbanizing the Mojave Desert: Las Vegas (Berlin 2008) and is co-editing an anthology entitled Visionary Urbanism: Representations of the Postwar American West (both with Ralph Stern). Her book on German conceptualizations of natural environment, national identity, and design education The Architecture of “Sachlichkeit”: Visuality, Nationality and Modernity, 1890-1919, forthcoming as a German-language edition (Weimar: Bauhaus-University Press) is currently under revision for an English-language edition. Her next book project will map the transfers of urban design strategies between Europe and the US impacting recent North-American theories such as “everyday,” “landscape,” “postmodern,” and “postcolonial” urbanisms.
Brian McLaren’s teaching and scholarship are influenced by a background in cultural history and an ongoing interest in Marxist and contemporary critical theory, as well as postcolonial studies. The broad focus of his concerns have been on the relationship between architecture and politics during the Fascist period in Italy, with particular attention to the tensions that linked modernism and regional expression.
McLaren’s dissertation research and initial publications concentrated on the colonial context of Libya, in particular the relationship between modern architecture and local culture under the auspices of tourism. These publications include an edited collection with D. Medina Lasansky, Architecture and Tourism: Perception, Performance and Place, and a completed major book project, Architecture and Tourism in Italian Colonial Libya: An Ambivalent Modernism. More recently, this research has appeared in the Journal of Architecture and Giovanni Arena.
McLaren’s current research is related to a new book project, Modern Architecture, Colonialism and Race in Fascist Italy, 1935-1945, which was presented at the Annual Conference of the College Art Association in New York (February 2015) and Society of Architectural Historians in Chicago (April 2015). It is also published in abbreviated form in a themed issue of Architectural Theory Review (Fall 2015). McLaren is a member of the Race and Modern Architecture Project, a research collaborative co-directed by Professors Mabel Wilson (Columbia University), Charles Davis (University of North Carolina – Charlotte) and Irene Cheng (California College of the Arts).