Dr. Vikramaditya “Vikram” Prakash is an architect, architectural historian and theorist. He is Professor of Architecture at the University of Washington with adjunct appointments in Landscape Architecture and Urban Design and Planning. He received his B. Arch. from Chandigarh College of Architecture, India and his M.A. and PhD in History of Architecture and Urbanism from Cornell University.
Vikram works on issues of modernism, postcoloniality, global history and fashion & architecture. His books include Chandigarh’s Le Corbusier: The Struggle for Modernity in Postcolonial India, A Global History of Architecture (with Francis DK Ching & Mark Jarzombek), Colonial Modernities (co-edited with Peter Scriver), The Architecture of Shivdatt Sharma and Chandigarh: An Architectural Guide. A Global History is widely used as a textbook and being translated into five languages. His next book, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash, is due in summer 2020.
Vikram is Associate Dean for Academic Affairs in the College of Built Environments. He previously served as Associate Dean for External Affairs, Chair of Architecture and Director of Undergraduate Interdisciplinary Programs. His public service includes terms on the Boards of Seattle Center and the Seattle AIA. He also directed Chandigarh Urban Lab, a series of interdisciplinary international studios.
Vikram is co-PI (with Mark Jarzombek, MIT) of three successive grants of $1.0 million (2014), $1.5 million (2016) and $1.0 million (2019) awarded by the Andrew W. Mellon Foundation. These resulted in the creation of GAHTC – a collective of over 200 teachers of global architectural history.
Vikram is host of ArchitectureTalk – a bi-weekly podcast based on curated conversations with invited guests. In its first two years, ArchitectureTalk received over 60,000 unique downloads and has been independently reviewed in The American Scholar.
The 2020 Annual meeting of the Association of Collegiate Schools of Architecture recognized Vikram with the title of ACSA Distinguished Professor.
Ken Tadashi Oshima is Professor in the Department of Architecture at the University of Washington, where he teaches in the areas of trans-national architectural history, theory, representation, and design. He has also been a visiting professor at the Harvard Graduate School of Design and taught at Columbia University and the University of British Columbia. He earned an A.B. degree, magna cum laude, in East Asian Studies and Visual & Environmental Studies from Harvard College, M. Arch. degree from U. C. Berkeley and Ph.D. in architectural history and theory from Columbia University. From 2003-5, he was a Robert and Lisa Sainsbury Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures in London.
Dr. Oshima’s publications include Kiyonori Kikutake: Between Land and Sea (Lars Müller/Harvard GSD, 2015), Architecturalized Asia (University of Hawaii Press/Hong Kong University Press, 2013), GLOBAL ENDS: towards the beginning (Toto, 2012), International Architecture in Interwar Japan: Constructing Kokusai Kenchiku (University of Washington Press, 2009) and Arata Isozaki (Phaidon, 2009). He curated “Tectonic Visions Between Land and Sea: Works of Kiyonori Kikutake” (Harvard GSD, 2012), “SANAA: Beyond Borders”” (Henry Art Gallery 2007-8), and co-curator of “Crafting a Modern World: The Architecture and Design of Antonin and Noemi Raymond” (University of Pennsylvania, UC Santa Barbara, Kamakura Museum of Modern Art, 2006-7). He served as President of the Society of Architectural Historians from 2016-18 and was an editor and contributor to Architecture + Urbanism for more than ten years, co-authoring the two-volume special issue, Visions of the Real: Modern Houses in the 20th Century (2000). His articles on the international context of architecture and urbanism in Japan have been published in The Journal of the Society of Architectural Historians, Architectural Review, Architectural Theory Review, Kenchiku Bunka, Japan Architect, L’Architecture d’Aujourd’hui, and the AA Files.
Elizabeth Golden is an architect and an Associate Professor in the Department of Architecture at the University of Washington, where she teaches in the areas of design, materials, and building technology. Her teaching, academic research, and creative work are dedicated to revealing the systemic complexities that shape our physical and cultural realities. Golden investigates the relationship between people and their environments, both at the micro and macro scales, analyzing architecture as an index to its larger cultural context.
Golden is a licensed architect in Washington and New York state and has practiced nationally and internationally for over 25 years. She holds a Master of Science in Advanced Architectural Design from Columbia University GSAPP and a Bachelor of Architecture (professional degree) from the University of Arkansas. She currently serves on the editorial board of the Journal of Architectural Education. Underpinning her practice is an ongoing analysis of the complex relationship of architecture and the built environment to systemic issues such as social marginalization and economic globalization. Together, her built and speculative work, research, and community activism demonstrate architecture’s dynamic potential to drive social change.
Research + Practice
Golden cultivates a reciprocal relationship between her research and practice, treating them as integral parts of an interconnected feedback loop. She frequently collaborates on design initiatives that combine expertise from the University of Washington, local nonprofits, governmental agencies, and other educational institutions. A recent example is the Seattle Street Sink and Clean Hands Collective, a community effort to promote hand hygiene in the midst of COVID-19. Her collaborative projects have received numerous honors including a National Honor Award from the American Institute of Architects (AIA), an Award of Merit from AIA Seattle, and an R+D Award from Architect Magazine. They have been published internationally including features in Architectural Record, Architectural Review, and the BBC World Service.
Across her research and teaching, Golden is committed to transforming the discipline of architecture by building productive connections between academia and professional practice. Her recent book Building from Tradition: Local Materials and Methods in Contemporary Architecture (Routledge, 2018) offers a critical analysis of traditional building practices and their contemporary resurgence in the context of globalization. A belief in the power of collective intelligence drives the practice, with the expertise of local professionals, craftspeople, and user groups integral to each project. Ultimately, Golden is concerned with the mutual exchange between people and place, studying ways in which architecture can evoke our shared humanity.
Roark Congdon is an instructor of technology, drawing, and art history at several colleges and universities in Seattle. He has taught 3D modeling, rendering, sculpture, drawing, art history, and design at the university and high school levels in both in the U.S. and China for over 15 years.
Congdon is a McNeel certified Rhinoceros trainer, and the author of Architectural Model Building, Tools, Techniques, and Materials.